The Wisden Writing Competition 2024

Another year, another entry, another fail. I’ve reached double figures! It’s the tenth time I’ve failed to win the Wisden Writing Competition. Only three others have failed more often. Not even a lucky loser. Clearly I am failing to hit a soft spot in the anonymous judging panel. Perhaps indicating the Editor might use AI for his Notes was a little over the top. Will I try again for the 2025 edition? Why not?

First a word of congratulations to the 2024 winner, Sohan Maheshwar. In keeping with tradition (after 12 editions the competition surely can have traditions; after 20 it acquires heritage status) it was his debut entry. That´s 10 out of 12 first time winners. It´s also the third winner with a touching father/son memory but the piece does break two new grounds. The first by a winner based in EU27 (Amsterdam) and the first to mention women´s cricket (the 2017 World Cup final at Lord´s).

The game itself is in turmoil. Long standing rhythms are being upended especially in England. The sudden rise (by cricketing standards) of franchised T20 tournaments around the world, many backed by billionaire businesses from India, are eating into the very fabric of the warm beer and village greens of nostalgic memory. The upcoming privatization of the new “Hundred” competition in England is causing explosions of angst amongst many county members (well at least those on social media if not attending actual meetings) to match those potential investors rubbing their hands with glee. Even MCC, that bastion of privilege and conformity is seriously thinking of having a franchised team. As an aside its Annual Report is far more informative than county reports; its long list of obituaries of members illustrates just how privileged the club is.

The 161st edition of Wisden reflects many of these changes. This year the focus is on the politicisation of Indian cricket, “bazball”, and the Independent Commission for Equity in Cricket. A fascinating survey of Jewish cricketers around the world stops short of discussing why none has appeared for England men´s team or if any are currently in county cricket.

The Writing Competition tends to avoid this turmoil. Last year’s winner, a polemic against Melbourne Cricket Ground, recognised change but hopes that this was the start of a trend are on hold. It remains a haven of normality, of cricket lovers remembering those cherished moments cricket brings them. Will I enter for the 2025 edition? I suppose a piece less than fondly recalling a day spent under an umbrella, dodging showers, paying for over-priced and under-tasted burgers and chips and seeing ten overs in the day´s play might be in order. Or perhaps the most blatant breaches of the “spirit of cricket” seen in a local village cricket match. Or jumping between tabs on YouTube watching county and Caribbean cricket streams. As a wild card, perhaps a full throated shout out for the T20 format and welcoming the gradual demise of interminable low attendance red ball county cricket (but KP has already bagged that one).

Returning to the 2024 competition, a quick review, my fifth. Only 81 entrants this time around, the lowest of the 12 editions. A long way down from the 2021 peak of 193. A wide global distribution it seems but still a low entry from women (less than 10 I guess).

Now onwards to the 2025 entry.

Sportswashing: the Wisden writing competition gets serious

Wisden Cricketers´ Almanack has made its annual appearance, number 160. 1616 pages, ultra small print, thin paper and the familiar yellow dust jacket. The Writing Competition is now in its 11th appearance and the winning entry is a new departure. Previous winners have focused on reflections of the past, sometimes nostalgic, occasionally humorous. A Duncan Hamilton approach. It´s taken an Australian (predictably?) to buck the trend. Dan Crowley (tweets at @dancrowley99) goes behind the scenes and brings some ethical thoughts into the global game:

Gone are the days when sport ads target actual consumers, flogging products we can buy at a shop. Now it´s an exercise in sportswashing, using the exposure of a major sporting event to target abstract concepts such as legitimacy, authenticity and trust.

His particular gripe is with Aramco, the Saudi Arabian fossil fuel company (as well as alcohol and betting companies), a sponsor of the ICC and IPL. He applauds Pat Cummins´ refusal to take part in ads for Atlinta, a major carbon emitter and sponsor of Australia’s Test shirts, as it conflicted with his activism on climate change. Crowley concludes:

Hopefully this is the way of the future, and more players, fans and administrators will have the courage to call out cricket´s unethical sponsorship deals.

This is the first time the competition winner has tackled a current topic. He certainly hit a nerve. Lawrence Booth (@BoothCricket) in his Editors´ Notes writes ” Despite its monstrous carbon footprint, international cricket has behaved as if the climate emergency is someone else´s problem“. Tanja Aldred has a full article on cricket and the environment (predictably the Daily Torygraph dismisses this: “if you crave the woke, about the game and climate change”). Crowley would have written before the competition closing date of October 2022: He was not to foresee the news (and neither did Booth or Aldred) that Saudi Arabia is bringing its sportswashing to cricket nor that Yorkshire is seeking Saudi money to stave off bankruptcy (or even worse the return of Graves).

As an aside it looks like the majority of first class counties in England and Wales have local shirt sponsors with only one stand out (Gloucestershire have the Cayman Islands). And England have a used car company.

As for the competition itself, Crowley wins with his debut entry. That makes 9 out of 11 first-time winners. Nonetheless some doggedly plough on. The three “always present” entrants remain: Paul Caswell, David Fraser and David Potter. Five more have tried unsuccessfully 9 or more times. This year 109 entered with 8 using the full allowance of two entries.Two-thirds are first timers. The entry level is down on the bumper (COVID) year of 2020 with 193 entries. Only three first timers from that year have played every time since.

The competition still attracts fewer entries than the parallel photographic competition (almost 500 entries). But its first prize of £1,000 is financially more attractive. The writing competition now offers a credit of £250 to spend at www.wisdenauction.com. Crowley´s winning entry this year opens the doors for more to tackle contemporary topics, perhaps even controversial. You have until the end of October 2023 to send in your 480 words!