China: in sounds and images

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Imogen Heap, an award winning, musician, recently spent six weeks in Hangzhou in China.    She made this beautiful video  http://www.youtube.com/embed/jgvAx2Bdt-o.

The song will form part of her next album.  It’s interesting to see how an artist sees, and hears, a different city; which images and impressions make it to the finished product.

In the Guardian she explains:

Well, I’ve just come back from six weeks in Hangzhou in China. The British Council and the PRS for Music Foundation helped fund the trip – I had to put in an application – but it ended up being much more expensive than planned. Before I went I didn’t know exactly what I wanted to do, but I’d heard that people practise qigong by the lake, and that there’s a famous temple bell that’s rung at sunset every evening, so I was thinking about finding a rhythm in the chaos of this huge city and a journey through it in the course of a day.

I ended up curating this 24-hour period. It was my birthday as well.  I wanted to combine the sorts of things that happen there every day with different media and art forms. We filmed the whole thing and then I drew on all the sounds for my latest Heapsong.  So we filmed the fishermen out on the lake at midnight, but it’s kind of illegal to do that, so we had them fishing out a treasure map. And there are a lot of skateboarders there, so we filmed them at 1am, surrounded by a ring of taxi drivers shining their lights on them.

We went into a primary school class, where the children were doing their eye exercises, and the teacher giving them their instructions gave us our tempo. The sound of the newspaper printing presses – that became the beat. And we caught this woman who heads up this huge hill to a temple every day at sunrise and screams at the top of her lungs, so the sound of that is now in the middle section of the song.

 

Cultural democracy; save the cinema in Walthamstow

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Walthamstow has no cinema.  An amazing statement in this day and age.   It used to have one: a 1930s outstanding example of cinema architecture. As well as films it was also a live entertainment venue: from the Beatles to the Stones.  The cinema fell foul of the out of town multiplexes and closed about 10 years ago.  The building was bought by a Brazilian evangelical organisation, (a “Church called United Church of the Kingdom of God”) who want to turn it into a “Help Centre”.  Local residents oppose the change.  There is a locally managed alternative option to create an arts based centre to help drive regeneration in Walthamstow.  The local Council rejected the application by the “Church”.  A decision widely supported by local residents. (see my report on that meeting on my previous blog)  The “Church” has appealed.  Here is my objection to their appeal sent to the government planning inspectors.

I write to oppose the appeals of the UCKG and to support the decision of the LBWF Planning Committee in refusing change of use consent.  I have been a resident of Walthamstow for over 30 years.

There is considerable professional literature and practice across the UK, Europe and indeed the world, on the important role that culture has on urban regeneration and prosperity.  The arts are in themselves a major economic sector; a community with an active arts-based sector benefits from those gains and from the reputation a vibrant
arts scene brings.   Culture in an urban context is important to attract and retain new residents and increase the
overall GDP-per capita.

As an expert member of the Selection Panel for European Capitals of Culture, nominated by the European Parliament, I am fully aware of how cities around Europe are prioritising culture in their development aspirations.

The EMD cinema is the only large scale cultural building in Walthamstow.  It has a formal heritage listing and as importantly has an informal intangible heritage reputation for its residents.  Recent decisions by UNESCO and the Council of Europe have highlighted the importance of intangible heritage and memory.   The loss of the building, if the appeal is upheld, will be irretrievable to the cultural sector and life in Walthamstow.

There is a viable proposal to use the building, with its existing use category, as a multi-purpose arts centre.  This is completely in keeping with cultural regeneration projects and one which has proven success in regeneration
programmes.  The proposal is at no cost to the public purse in these days of public sector austerity.

There is very little evidence that religious based projects, (single focus projects), contribute to the economic development of an urban community. I exclude the benefits which come from major heritage religious buildings such as cathedrals, churches, mosques and synagogues where the  attraction is overwhelmingly led by the attraction of the architectural
heritage.  That is not relevant in this case.

Religious based projects tend towards exclusivity; attracting their own followers and rarely having a broader appeal. There is of course a place for such projects but in this case not at the expense of a unique property both designed for another purpose and where there is a continuation option available.  It is unlikely based on practice elsewhere that the UCKG’s claims in impact on regeneration will be realised.

In the years they have owned the EMD cinema they have allowed to fall into decay.  If your site visit took place today you would see it boarded up for safety reasons.  The UCKG has not demonstrated, over a number  of years, that they are willing to maintain the building to a satisfactory state.

Successful regeneration projects are those which are “bottom-up”: driven by the needs of and the aspirations of local  residents.   It was telling that at the Planning Committee meeting in May 2011 that the elected representatives said
that they had no postbag requesting support for the UCKG proposals.  Indeed the clear view of local residents is
to retain the EMD building as a locally managed arts-based centre.  As such the programming is more likely to be
open to all residents of Walthamstow and Waltham Forest. This is the experience of similar centres in other parts of London. This contrasts with the exclusive appeal of a single focus based organisation.

The case put forward by UCKG does not stack up in terms of the development plans of LBWF and of the residents of Walthamstow.   Sustainable economic development will come from maintaining the current use category of the EMD enabling the viable alternative to proceed.   Cities and communities across Europe are seeking to keep their cultural assets, to develop them and expand them as one of the major avenues for sustainable and locally led development.

I urge you to reject the appeal.  There are inadequate grounds in UCKG’s case to warrant a change from the original designation and use of the EMD cinema.

Save the Wedgwood Museum

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We like to think that the creative industries are new; a product of our times.  Not so.  The Wedgwood ceramics factory was just one of many craft based companies which played a major role in Britain’s Industrial Revolution.  It was a pioneer in engaging top artists of the time to design its wares. Its products were triumphs of design, construction and marketing.  Its labour force was at the forefront of factory workers of the time.  It today’s world it would have combined the knowledge economy world of the creative sector with the manufacturing, export led, business.

Exports were a key to its success.  It made items explicitly for the export market.  One range was for the Dutch market where the economy was booming in the late Eighteenth Century.  Early on in my British Council career I was able to support an exhibition of Wedgwood items at the Princessehof Museum in  Leeuwarden and the Gemeentemuseum in The Hague.  The curators worked with the Wedgwood Museum in Barleston. It was a show which demonstrated the close artistic , commercial and personal contacts between the countries.

Now the Wedgwood Museum is under threat. An obscure pensions law has an even more obscure clause which has forced the courts to demand the sale of the Museum.   Details here.

Its collection is an essential part of our heritage, of the heritage of the creative industries.

If you are reading this in the UK please contact your MP.    UNESCO is supporting the campaign to keep the museum open; join now ,become a supporter.

And visit the Museum.

Update   26 March:   Minister Vaizey to visit Musuem.  No government money of course.. (what do you expect from this Tory government) but a possible solution.   More here

Stand up for Culture in the EU

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” With Europe currently facing serious social and economic difficulties, it is up to the key players in our cultural life and the political decision makers to reaffirm that culture lies at the heart of Europe’s construction and must not be sacrificed”

A ringing endorsement of the role of culture indeed.  Surely the preamble to a manifesto from the arts world?  Or the latest declaration from the We are More campaign which is lobbying hard for 100,000 signatures on its petition for a larger culture budget in the EU.

The fine sounding words, the call to action, comes from culture and arts ministers.  Led by Frederic Mitterand, French Culture Minister, twenty arts ministers (plus a Business Minister from the UK doing things differently as usual) and the European Commissioner for Culture, (Mrs Androulla Vassiliou) have put their names to a tenpoint manifesto ” A Decalogue for Europe of Culture”.

Mitterand announced the idea of a statement just before the Deauville G8 summit in May 2011 which explains, perhaps, why he leads instead of the EC or the EU Presidency.  The current EU presidency is held by the Danes and they have not signed (along with Slovakia, Netherlands, Poland and Sweden).

The declaration was published as two adverts (English and French) in the International Herald Tribune.  A very strange choice. I haven’t seen it yet in any other newspaper.   The Decalogue is at the end of this post (and a Scibed copy is here )   A French version is here on M Mitterand’s website.

So what can we see in the Decalogue?  Several statements from the University of the Bleeding Obvious: “Europe of culture embodies the values of democracy in all the nations of the EU”: although perhaps less so in Hungary at the moment. “Promotes access for all” ,  ” lobbies for the reinforcement of school curricula”. Fine words.

The ten clauses get longer and longer as they move beyond high sounding ideals and come down to earth with practical issues. Some of these might cause problems for ministers so I detect the hand of advisers and lawyers!

Tucked away in the declaration are several less appealing views.  “All appropriate measures against the threats of piracy” rings alarm bells as the  secret ACTA process gathers pace but hopefully the European Parliament will put a stop to this.

A leaf is taken from the Chinese vocabulary when talking about promoting innovations and the need to ” guarantee their harmonious development protected from any commercial monopoly”.  As in China “harmony “seems to be used as a code for “don’t rock our boat”. Given the recent French court decision against Google Maps this does not look a promising statement.  Its also redolent of the narrow views in the second half of the declaration that the artistic opportunities of digital revolution take second place to matters of financial and legal challenges.  Very defensive.

The final clause seems out of place: simply confirming the EC’s decision to merge the Culture and Media budgets. This focus on an adminstrative step fails to remind the EC to place culture as a mainstream part of all its activities.  Culture is noticeably lacking in virtually every other programme of the proposed budget from 2014.

Of course many of the ministers making the declaration are presiding over reducing culture budgets.   They do need our support for making such an endorsement of the role of culture in today’s European Union.

The test of whether this is indeed an action document or simply a piece of PR (visibility without responsibility) will come when they ensure that their countries sign up to the increased budget for culture in the EU’s spending plans for 2014 onwards.  After this declaration they cannot go back now.   To remind them of their commitment sign the “We are more” petition now.

Here is the Decalogue for Europe of Culture:

With Europe currently facing serious social and economic difficulties, it is up to the key players in our cultural life and the political decision makers to reaffirm that culture lies at the heart of Europe’s construction and must not be sacrificed. The European Commission’s Education and Culture DG and 22 EU Ministers have approved a joint declaration: the Decalogue for Europe of Culture.   (signed F Mitterand, French Minister of Culture).

1.   Europe of culture embodies the values of democracy in all the nations of the EU.

2.  Europe of culture contributes to the affirmation of the European identity in all its diversity and to the flourishing of the arts and languages from which its richness is derived.

3.  Europe of culture ensures absolute freedom of creation across all its elements and events.

4.  Europe of culture promotes access for all, without distinction in terms of gender, age, origin, health or social status, to intellectual works, expressions of art, and the tangible and intangible cultural heritage.

5.  Europe of culture protects the legitimate right of creators and authors to fair remuneration and guarantees this by means of all appropriate meaures against the threats of piracy, fraud, theft and abusive use to which they might be exposed.

6.  Europe of culture encourages the circulation and exhibition of works both within the EU and beyond its borders, and ensures the legal and financial compliance of the actions of the various cultural contributors who organise and promote this.

7. Europe of culture establishes good rules of economic governance for the art and cultural industries market, within a spirit of complete transparency. It takes part in the development of innovations which interest the public authorities and private initiatives, in order to guarantee their harmonious development protected from any commercial monopoly.

8.  Europe of culture addresses the technological, financial and legal challenges brought about by the digital revolution fro the gathering and transmission of works and for the flourishing of new forms of artistic expression.

9. Europe of culture lobbies for the reinforcement of school curricula, teaching methods and procedures for artistic education and the training of creative artists.

10.  By emphasising that creation, art and beauty constitute a fundamental investment in the future which creates not only individual but also collective well-being in the form of employment, Europe of culture commits the European Union to consolidation of the budgets for culture and media programmes in order to meet the needs and aspirations of Europeans.

 

Signed by the Culture  Ministers of Austria, Bulgaria, Cyprus, Czech Republic, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Portugal, Romania, Slovenia and Spain.  And the French-speaking community of Belgium, the UK Business Ministry and the EC’s Commissioner for Culture, Media, Education , Youth and Sport.

What will you be doing in 2012: Follow these trends to stay ahead

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Trend Forecasting is big business.  It can also be fun!    TrendWatching produce an annual list of their top twelve consumer trends.  And a fun list it is.  One trend they ignore is “mangling of the language”.. or should that be “updating outmoded languages”.     Here are the twelve:

Red Carpet; DIY Health;  Dealer-chic; eco-cycology; cash-less; bottom of the urban pyramid; idle sourcing; flawsome; screen culture; recommerce; emerging maturialism; point and know.

Now thats clear!  Read more about them here.   Looks like they have covered everything, short of complete economic meltdown but they have identified the key audience in this age of austerity:

“the global opportunities for brands which cater to the hundreds of millions of lower-income CITYSUMERS are unprecedented”

happy trending.

1914 and all that; Birdsong and War Horse.

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Quite by chance I watched Birdsong on Sunday evening and War Horse on Monday afternoon.  Both feature an emotional interest set against the backdrop of the First World War, the Great War. Both derive from best-selling books, by Michael Morpurgo and Sebastian Faulks respectively.  Both are beautifully filmed; neither held my interest for long.

Both sought to show the horror of the Western Front in France; the trenches, the incredible waste of life, the brutality of military life.  Both had moments of sheer horror.. more I must say in BBC Television’s Birdsong rather than Spielberg’s multi-million film epic.  But for me both failed.  Pitching a simplistic emotional tale alongside the war does not work.  I find it hard to recall that my grandfather was there even when I look at the records of his military service in France and hold his medals.

It is just over two years to August 2014.   The centenary of the Guns of August of 1914, the war to end all wars.  Commissioning editors, film producers and book publishers are gearing up for pitches for programmes to be shown in cinemas, on TV, on the internet and for books to read on our Kindles.

I’ve noticed over the last few years that the annual poppy day.. remembrance day in November. has taken on a more militaristic flavour.   Not wearing a poppy shows disrespect to our current military; employers enforce a two-minute silence in their workplaces. Not to take part is unpatriotic.

Remembrance was introduced with two aims.  “Lest we forget”: the fallen; those who were led to death and injury by politicians incapable of finding peaceful solutions.  That laudable aim remains.   August 2014 requires the second aim of remembrance to take equal prominence:  “Never Again” .

Commissioning editors take note.  War means no-one lives happily ever after.

Canada’s changing image

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Canada is frequently held up as a model country.  It sits near the top in many global league tables.  But are times changing?  Daryl Copeland (of Guerilla Diplomacy fame) reports that public diplomacy is on the decline in Canada.  Far from maintaining its pioneer role the government is almost ending its PD programmes.

Copeland points out Canada’s leading role in the landmines campaign, in climate and environmental issues.  All now seemingly consigned to history.

Mark Leonard once argued that a country’s reputation internationally was 15 years out of date.  Is Canada now along the way?  Is it any longer demonstrating its progressive agenda as a global leader or reverting to narrow nationalistic interests?

On the environment, and indeed climate change, it has regressed.  Withdrawing from Kyoto (straight after Durban and increasing its oil sands extraction  (a method, according to Wikipedia: If combustion of the final products is included, the so-called “Well to Wheels” approach, oil sands extraction, upgrade and use emits 10 to 45% more greenhouse gases than conventional crude).  As the Arctic warms up it opens up vast swathes of accessible land for Canada to exploit.

Canada has been a leading participant in international military adventures.  One key priority of its remaining public diplomacy programme is to promote its role in Afghanistan.

Changing political priorities are nothing new. When they change so does the politically orientated public diplomacy, public relations programmes and messages.  What needs to change is the impact on reputation.  That takes longer  for Canada to lose its position as a progressive member of the international community.

 

 

Soft power and ideas in action in Egypt

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Egypt’s troubled path to from dictatorship to democracy is proving a fertile ground for soft power.  The military-run government was widely criticised for its crackdown on NGOs.  It used a Mubarak era law designed to control foreign funding of NGOs.  Reports indicated that the government wanted to create a wave of anti-American feeling to help it ride out the demonstrations in favour of the Revolution (Known in the west as the Arab Spring).

The irony of the military.. heavily financed by the USA.. seeking to gain political capital out of foreign financing of NGO escaped the government.  However the military took note of the USA’s concerns and agreed to rescind the crackdown.

A few days later the Egyptian government did release details of foreign funding of NGOs. And it makes fascinating reading.  The April 6 movement, a prime player  in the Revolution, received no foreign funding.  Now that must have dented many assumptions.

On the other hand a single Salafi based organisation received a staggering $50m. The money came from Qatar and Kuwait rather than Saudi Arabia, the usual source of Salafi financing.  The Ansar El-Sonna association denied the funding was for political purposes but was for mosques and orphanages. (Update:  the Kuwaiti Ambassador to Egypt explains that the funds went to “charitable societies that care for orphans and the poor”)

The Salafi political party, Al-Noor, of course did exceptionally well in the recent Parliamentary elections with over 20% of the votes so far. It is a serious rival to the more  established Muslim Brotherhood, let alone the centre, secular and liberal parties who collectively did not do well.

USAID was discovered to be providing around $11m to various democracy movements.  The funding from other western organisations was not recorded.

Soft power is the art of influencing others to do what you would want them to do.    The Egypt case demonstrates that direct funding of democracy movements, important though it is, can be dwarfed by a more subtle level of support.  The Gulf based funding coupled with the increasing dominance of the Saudi and Wahhabi based satellite TV channels ensures the ideas and values of the Salafis are being reflected in the votes of Egyptians.

 

2012: A European clash of civilisations?

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It’s the time of year for forecasting.  What do you expect. or hope, will happen in 2012?  The European Council for Foreign Relations puts forward  Ten Trends for 2012.    Most are reasonably predictable and safe political points (the standard positioning of the ECFR) but it leads with a very challenging point for those interested in culture in Europe: “the European Clash of Civilisations”.

Although the real cause of the crisis is the structural flaw of designing a single currency without a common treasury, Northern Europeans have tended to explain the euro’s problems as a clash between a fiscally-responsible north and an irresponsible south. Southern countries, on the other hand, feel betrayed by what they see as the limited and conditional solidarity of the north – which they see as part of the problem. They feel they have contributed to Germany’s success during the last decade by buying German exports such as cars. France, meanwhile, is caught in the middle – the equivalent of what Huntington called a ‘torn country’ (like Turkey in the conflict between the West and Islam). It wants to be part of the north – which is where power is shifting – but finds itself in danger of becoming part of the south.
The facts do not always support this cultural reading of the crisis – for example it was the rule-worshipping Germans that broke the Stability and Growth Pact, while the Spanish abided by its provisions – however, like Huntington’s original thesis, it risks becoming self-fulfilling, leading to solutions which may not make sense in economic terms – such as simultaneous austerity by all, which Keynesians argue leads to stagnation.

In the last decade there are have more conferences, papers and seminars on “what is European identity; what is European culture.”.   How effective have they been?  Did any of them come to terms with the deep culture of European citizens?  Now is the time for some serious re-thinking and actions with the whole European project under threat.

So an invitation to those interested and active in European culture: what do you see in 2012?  Has the cultural sector any role in averting a cultural divide in Europe?  Does it remain on the sidelines and content within its own audience and production?    Are there any ideas for the Year of European Citizens. Or will 2013 be too late?

Should citizens take the lead in the Year of Citizens?

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The European Commission has proposed 2013 to be the “European Year of Citizens”.    Its aims, sorry, challenges, are to:

  • raise citizens’ awareness of their right to reside freely within the European Union and of how they can benefit from EU rights and policies;
  • stimulate citizens’ active participation in EU policy-making;
  • build debate about the impact and potential of the right to free movement, especially on strengthening cohesion and people’s mutual understanding of one another.

Now most of these “Years” seek raise awareness of  an issue.  The concept is favoured by UNESCO, Council of Europe, various UN agencies as well as the EU.   One major weakness is that very few of the promoters put any money behind them; they expect others to spend their own money to deliver the results.   I haven’t seen any serious long-term evaluation of the years but they seem to be liked by officials and politicians.

The concept of European citizenship is important and in my view a Good Thing. Indeed if we are to survive the eurocrisis over the next few years then a greater shared sense of community amongst voters is essential. We can no longer continue to live in a Europe with its own variation of the Clash of Civilisations.

So how can we be better European citizens and what can the powers that be do?  Here are five ideas:

*  EU citizens living in other EU countries should be allowed to vote in the national elections as well as local and regional. No taxations without representation worked in a country two hundred or so years ago.  Voting is not the end of the world but it indicates a degree of equality and of belonging.

*  If you have a bank account in one EU country then you should be able to able an account in another automatically. No more Catch-22s when moving within the EU.

*  Ministries of Foreign Affairs should be renamed European and Foreign Ministries (some, Austria have done this). Again to demonstrate that being European is not being foreign.

*  The next elections for the European Parliament should be contested in the name of the political groupings in the Parliament with a single EU wide manifesto  and not by domestic political parties.  Citizens should vote for the various presidents directly, of Council and Commission.

* No discrimination in various tax and social security systems between EU citizens and domestic citizens.

There will be more.. please add them